LIKE YOU HATE ME
“Slick and precise... Barton has grasped this fragmented world and given it a tremendously organic atmosphere.”
PHOTO: ross kernahan
Jess is an experienced and critically acclaimed fringe theatre director. Her work mostly focuses on new writing, primarily that which examines what it means to be human.
Recent credits include DIVERSIFICATIONS by Natalie Ekberg, DON'T FORGET MY FACE by Fight or Flight Productions, REFUGE by Katie Duncan, and AAAAA by Proforça.